"Broken Mirror": BETWEEN NARCÍS and Persian | Eudald Camps
Two mirrors and a screen. The installation presents Manel Bayo Space 29m2 Les Bernardes is a laconic but effective way to take stock: the artist talks about his relationship with the images and, in a broad sense, its litigation with the visibility-, the bipolar nature of their immediate geography -those binomial Salt / Girona which complements and contrasts iguals- parts of virtuality hibachi to reality and back -l'univers digital sinks, however hibachi , rooted in the world- and also the return of the prodigal son -despès a quarter of a century of exile voluntari- the village of his birth. And all it has, as mentioned, two mirrors and a screen. Orderly. As he explains, each engraved mirror (in reverse) the name of the town before her jump when there looks to Girona, while Girona, without Salt, also fades. Poetic reflection particularly relevant hibachi if we consider that one of the poles due to Narcissus: the city of the four rivers that mirrored the Onyar likes because it is his face (or faces in a photo façade dominated by two sacred buildings: Cathedral and St. Felix) what defines and, instead, just a few tips that projecting into the suburbs, just where the city fades and renamed. The relationship with the other pole of the mirrors, however, is more like the Perseus maintained by: unlike Narcissus, which runs in the contemplation of himself, the son of Danae used his shield bronze look, indirectly, the image of Medusa lethal and beat the monster through hibachi its reflection (limit Gorgon meant to remain petrified). hibachi Narcissus hibachi and Perseus are sides of the same coin, or perhaps hibachi better, same mirror what changes is, ultimately, hibachi the direction in which they look. Besides the two mirrors, the space is a 29m2 screen, in a sense, hibachi can also be seen as a contemporary version of the source of Narcissus or the shield of Perseus. However, Bayo uses to project it, looping, two of his most successful works: Blow flowers on one side, is an ironic hibachi exercise beautification (Time counter image of flowers?) A periphery, in the absence of the aesthetic taxidèrmica that "orders" hibachi visually urban centers, has to conform exposing their vital rhythms; and, moreover, Pylos, a delirium of Hitchcock flavor that turns any surface into a kind of urban forest hairy and grows or decreases, returning to Perseus, who swings softly like the tentacles of a sea anemone or beautiful but deadly jellyfish. Anyway, the fact that the proposal is made Manel Bayo "only" two mirrors and a screen should not confuse anyone: hibachi the conscious use of the exhibition space by the saltenca ago that we should speak of a installation. Ie: Broken Mirror explores the hic et nunc (here and now) of works and their reflections in the context of that darkness returns, how could it be otherwise, the myth cavern.
10 December 2014 17:59
Dear Eduald: I wanted to date you were presented in a video-art Arte Laguna Theme: Elegy Beat Generation. I wish to take advantage of the better center "periscope wide angle" in your circle with the extension is received, a profitable days for your constant poetic hibachi outburst, I still always surprise and curiosity hibachi for the next year and if necessary celebrations with embers and sparks emotional and affective. A hug on behalf of the great memories that keep your make every day in that film that captivates all. My everyday life was being conditioned more and more care and general care of my mother marked fall, reflecting the end of any middle class family of emort touched by his defense alleged that theoretically worth. Witness I stopped doing writing and recording every day and I doing a vast mosaic ...... tied with longing and rapture. Enough. Cheers Date: Sun, 7 Dec 2014 09:40:45 +0000 To: planolesblanes@hotmail.com
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Topics Exhibitions hibachi Names and Places of Art in Girona Reflection archives Select Month January 2015 (3) December 2014 (4) November 2014 (2) October 2014 (6) September 2014 (5) August 2014 (6) July 2014 (5) June 2014 (6) May 2014 (8) April 2014 (8) March 2014 (7) February 2014 (3) January 2014 (1) December 2013 (5) November 2013 (7) October 2013 (5) September 2013 (5) August 2013 (5) July 2013 (6) June 2013 (4) May 2013 (7) April 2013 (5) March 2013 (5) February 2013 (4) January 2013 & nb
Two mirrors and a screen. The installation presents Manel Bayo Space 29m2 Les Bernardes is a laconic but effective way to take stock: the artist talks about his relationship with the images and, in a broad sense, its litigation with the visibility-, the bipolar nature of their immediate geography -those binomial Salt / Girona which complements and contrasts iguals- parts of virtuality hibachi to reality and back -l'univers digital sinks, however hibachi , rooted in the world- and also the return of the prodigal son -despès a quarter of a century of exile voluntari- the village of his birth. And all it has, as mentioned, two mirrors and a screen. Orderly. As he explains, each engraved mirror (in reverse) the name of the town before her jump when there looks to Girona, while Girona, without Salt, also fades. Poetic reflection particularly relevant hibachi if we consider that one of the poles due to Narcissus: the city of the four rivers that mirrored the Onyar likes because it is his face (or faces in a photo façade dominated by two sacred buildings: Cathedral and St. Felix) what defines and, instead, just a few tips that projecting into the suburbs, just where the city fades and renamed. The relationship with the other pole of the mirrors, however, is more like the Perseus maintained by: unlike Narcissus, which runs in the contemplation of himself, the son of Danae used his shield bronze look, indirectly, the image of Medusa lethal and beat the monster through hibachi its reflection (limit Gorgon meant to remain petrified). hibachi Narcissus hibachi and Perseus are sides of the same coin, or perhaps hibachi better, same mirror what changes is, ultimately, hibachi the direction in which they look. Besides the two mirrors, the space is a 29m2 screen, in a sense, hibachi can also be seen as a contemporary version of the source of Narcissus or the shield of Perseus. However, Bayo uses to project it, looping, two of his most successful works: Blow flowers on one side, is an ironic hibachi exercise beautification (Time counter image of flowers?) A periphery, in the absence of the aesthetic taxidèrmica that "orders" hibachi visually urban centers, has to conform exposing their vital rhythms; and, moreover, Pylos, a delirium of Hitchcock flavor that turns any surface into a kind of urban forest hairy and grows or decreases, returning to Perseus, who swings softly like the tentacles of a sea anemone or beautiful but deadly jellyfish. Anyway, the fact that the proposal is made Manel Bayo "only" two mirrors and a screen should not confuse anyone: hibachi the conscious use of the exhibition space by the saltenca ago that we should speak of a installation. Ie: Broken Mirror explores the hic et nunc (here and now) of works and their reflections in the context of that darkness returns, how could it be otherwise, the myth cavern.
10 December 2014 17:59
Dear Eduald: I wanted to date you were presented in a video-art Arte Laguna Theme: Elegy Beat Generation. I wish to take advantage of the better center "periscope wide angle" in your circle with the extension is received, a profitable days for your constant poetic hibachi outburst, I still always surprise and curiosity hibachi for the next year and if necessary celebrations with embers and sparks emotional and affective. A hug on behalf of the great memories that keep your make every day in that film that captivates all. My everyday life was being conditioned more and more care and general care of my mother marked fall, reflecting the end of any middle class family of emort touched by his defense alleged that theoretically worth. Witness I stopped doing writing and recording every day and I doing a vast mosaic ...... tied with longing and rapture. Enough. Cheers Date: Sun, 7 Dec 2014 09:40:45 +0000 To: planolesblanes@hotmail.com
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Topics Exhibitions hibachi Names and Places of Art in Girona Reflection archives Select Month January 2015 (3) December 2014 (4) November 2014 (2) October 2014 (6) September 2014 (5) August 2014 (6) July 2014 (5) June 2014 (6) May 2014 (8) April 2014 (8) March 2014 (7) February 2014 (3) January 2014 (1) December 2013 (5) November 2013 (7) October 2013 (5) September 2013 (5) August 2013 (5) July 2013 (6) June 2013 (4) May 2013 (7) April 2013 (5) March 2013 (5) February 2013 (4) January 2013 & nb
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